Agenda
MPC
40
Savannah,
Georgia, February 13-16, 2002
Wednesday,
February 13
| 2-5:30
p.m. |
Conference Registration |
| 4-5 p.m. |
Newcomer Orientation
| New to AMPPR’s
Music Personnel Conference? Join other “newbies” and a couple of MPC “pros”
for a rundown of the conference. |
|
| 6-8 p.m. |
Opening Reception,
Sony
Classical presents guitarists John Williams and John Etheridge,
hosted by Tony Morris of the "Classical Guitar Alive!" program. |
Thursday,
February 14
| 7:30
a.m. |
Continental Breakfast,
courtesy of the WFMT Fine Arts Network. |
| 8:30 a.m. |
Keynote
Speaker Leon Botstein, “Artistic Advocacy: Challenges and Opportunities."
| How
can we be successful advocates of an artistic vision? Dr. Leon Botstein,
the eminent conductor and president of Bard College, is Music Director
of New York’s American Symphony Orchestra. His concerts stand out from
the ordinary by programming forgotten and neglected works around musical
and nonmusical themes. Drawing on his experience with the ASO, and with
the annual Bard Festival as well, he will share his ideas about ways of
pursuing an artistic vision while serving an audience. |
|
| 10:00 a.m. |
Morning Break,
courtesy of WCLV. |
| 10:00 a.m. |
Marketplace Open Through
Noon on Saturday
|
| 10:30 a.m. |
“Artistic Advocacy:
Exploration and Response.”
| Leon
Botstein is joined by panelists active in the arts, who will respond
to the ideas presented in the keynote address and present their own perspectives
and experiences with advocacy in an aesthetic context. Conference attendees
will be invited to raise questions as well. Panelists are David Patrick
Stearns, Music Critic, The Philadelphia Inquirer; and Mark
Mobley, Music Producer, NPR's "Performance Today." |
|
| 12:00 p.m. |
Lunch. WETA
presents
The
Kennedy Center Fortas Chamber Music Concerts. |
| 1:30 p.m. |
“Defining Public
Radio’s Core Values.” Marcia Alvar, President, PRPD
| What
are public radio’s core values, those qualities listeners consistently
equate with our programming? As public radio faces greater competition
from new media and increasing pressure to be self-sufficient and entrepreneurial,
what values must we keep as our focus and carry forward if we are to retain
the trust and support of public radio’s audience? PRPD gathered the producers
of public radio’s seven most popular programs to talk over these and other
questions. The results were captured in “Defining Public Radio’s Core Values,”
a report that articulates a vocabulary of public radio’s fundamental appeal
and identifies three crucial filters that successful producers use to set
and maintain high standards. |
|
| 3:00 p.m. |
Afternoon Break,
Bridge
Records presents violinist Gregory Fulkerson . |
| 3:30 p.m. |
“AMPPR Strategic
Planning Session: What Is Our Future?” Bob Goldfarb, Beverley
Ervine, and Hal Prentice.
| The
AMPPR board of directors created a special committee last spring to talk
about some long-term questions: whom do we serve, how can we best serve
them, what is our niche in the public radio system, what changes should
we consider as we evolve? This is your chance to hear about the committee’s
discussions and to share your thoughts about the future of AMPPR.
Help set the agenda for AMPPR’s next decade! |
|
Friday,
February 15
| 7:30
a.m. |
Continental Breakfast,
presented by Delos Records. |
| 8:30 a.m. |
“New Audiences for Us.” Christopher
O’Riley.
| The
internationally renowned concert pianist and host of PRI’s “From the Top”
will discuss the ultimate audience development project. Whether it’s on
his radio show, which has become “destination listening” for families across
the country, or at his concerts, where significant numbers are attending
their first recital, O’Riley is teaching new audiences that Duke Ellington
was on the mark when he said,“There are only two kinds of music: good music
and bad music.” |
|
| 10:00 a.m. |
Morning Break,
courtesy of Steinway artist Richard Glazier and Centaur
Records. |
| 10:30 a.m. |
Concurrent Sessions
|
|
A. “WBJC and Its Evolution
Through the Various Stages of Radio.” Jonathan Palevsky, Program
Director, WBJC.
| “WBJC
has been an amazing success financially and artistically, though it was
not always so. Believe it or not, we now do only a day and a half fundraising
a year...great for the listener and great for us. I realize not everyone
will be able to achieve the things we have done because we all live in
different markets and have different challenges. However, WBJC’s success
is due to the success of its programming, and that programming is
classical music.” |
B. “A Broadcaster’s Writing
Toolbox.”
Kate Long, Media Writing Coach and Independent Radio Producer.
| Public
radio broadcasters are writing all the time—promos, on-air scripts, program
guides, and now, the internet. How does writing help a great programming
idea get on the air, in the program guide, and on the web? Kate Long, an
award-winning writer who has produced for “Marketplace” and other public
radio programs, shares her insight and skill in getting an idea communicated
effectively through writing. |
|
| 12:00 p.m. |
Lunch, courtesy
of Angel Records. |
| 1:30 p.m. |
Concurrent Sessions
|
|
A. “Music &
Words.” Leslie Washaw, Producer; Jon Solins, Director of
Music Projects, WGBH.
| “Music
& Words” is a classroom radio project developed by WGBH for the Boston
Public Schools. Students listen, write, edit, and perform their own short
radio show, combining regular classroom and music curricula in a creative
exercise employing the basics of radio production. Program producer Leslie
Warshaw and Jon Solins will explain how the project started, bring
sample lesson plans and examples of the students’ work, and lead a discussion
about how interested stations can use the project in their own communities. |
B. “Airchecks.”
| Panelists
will critique airchecks sent in advance. This session is a chance to hear
voices from across the country and to give reactions to different announcing
styles. Panelists are Chris Kohtz, Manager, Classical 24, and Robin
Gehl, Vice President for Programming, WGUC. |
|
| 3:00 p.m. |
Afternoon Break,
AW
Promotions presents composer Scott McClain and baritone
David
Arnold. |
| 3:30 p.m. |
Concurrent Sessions
|
|
A. “Phonics International:
How To Tell Szell From Szeryng, Schubert From Ibert, Zoltan From Zauberflote.”
Robert
Fradkin, Assistant Professor of Hebrew, Russian, and Linguistics, University
of Maryland.
| “I
hardly expect that any given announcer will get excited enough to sign
up for Linguistics 101 at their local college, but I do hope that announcers
will equip themselves with enough new knowledge to establish a reasonable
pronunciation of existing names, to take better educated guesses at new
names, and to defend themselves on a principled basis against the attacks
of irate listeners who call up to complain about one or another pronunciation.” |
B. “Rock, Roots, and the rest:
A Panel Discussion on Public Radio’s ‘Other’ Fomats.” David Gordon,
Station Manager, WNCW, Spindale, NC, and Chris Heim, Music
Director, WBEZ, Chicago.
| Public
radio is more than classical music and news. There’s great jazz, blues,
folk, rock, Native American, new age music, and more on public stations
across the country. Panelists will describe how their station developed
its format and sound, how their “brand” works in the market, why it’s successful,
and wher to find programming resources if you’re ready to try one of these
“other” formats. |
|
| 8:00 p.m. |
"Performance
Today" presents “Concert, Conversation, and Coffee,” with André-Michel
Schub and Fred Child.
Join ”Performance
Today” host Fred Child and one of today’s leading pianists, André-Michel
Schub, for an informal performance-chat. They will survey a range of repertoire
and talk about Schub’s many pursuits on- and off-stage, from playing concerts
around the world, to running a festival, to long-distance running. Afterward,
stay for dessert, coffee, and cocktails with André
and Fred. |
|
Saturday,
February 16
| 7:30
a.m. |
Continental Breakfast. |
| 8:30 a.m. |
“Arbitron and the ‘Portable
People Meter’.” Bob Michaels, VP of Radio Broadcasting Services,
Arbitron, Inc.
| Meet
the PPM, as it is called, a pager-size device that its developer, the Arbitron
ratings service, hopes will replace the timeworn standards—diaries kept
by target households and boxes that monitor television viewing, usually
in homes. The PPM, which is carried by participants, detects codes that
TV and radio broadcasters place in their programming using encoders provided
by Arbitron. The device “hears” and records the signals. When the PPM is
recharged on its base every night, the base sends the collected codes to
Arbitron. This eliminates the need for people to track their listening
or viewing behavior by writing something down in a diary, according to
Marshall Snyder, president of Worldwide PPM Development, Arbitron, Inc. |
|
| 9:40 a.m. |
Morning
Break |
| 10:00 a.m. |
“The New Media
Landscape.” Skip Pizzi, Technology Consultant.
| The
marketplace that radio and television used to own exclusively is now being
occupied by numerous new services. Understanding this ongoing migration
is critical to survival in the industry. While audiences continue to grow,
the dominance of legacy services is threatened. This session will view
the big picture, with particular attention to audio providers, and attempt
to draw the new map of the media world. |
|
| 11:30 a.m. |
Lunch, courtesy
of Public Radio International, “Classical 24,” “Pipedreams,”
“Saint Paul Sunday,” and
Ivory Classics, presenting pianist
Albert
Wong. |
|
AMPPR Board of Directors
Elections
|
| 1:30 p.m. |
“The Future of
Public Radio.” Skip Pizzi, Technology Consultant.
| Closer
to home, the role that public radio plays is also changing. The importance
of public service, audience size, revenue models, content/format choices,
and delivery modes are all in play. The divergence from commercial radio
continues to widen, and new opportunities for public radio abound. Yet
none of these new ventures is without risk. This session will examine the
specific options and challenges ahead for public radio (with emphasis on
entertainment content) in a still-forming new media environment. |
|
| 3:00 p.m. |
Historical Savannah
City Tour:
| Treat
yourselves to the sights of Savannah before returning home. For your visit
to the Historic District, we’ve arranged a private group tour on Saturday
afternoon. Gray Line tours, officially endorsed by the Historic Savannah
Foundation, will meet us at our hotel to begin our ninety-minute excursion
into one of the largest National Historic Landmark Districts in the nation.
Within this 2.2 square mile area, beautiful streets and squares reveal
260 years of history, eloquently displayed in exquisite ironwork, ancient
cobblestones, splendid mansions, and picturesque cottages. Highlights include:
Factors Walk, the Cotton Exchange, Trustees Garden, and Colonial
ParkCemetery. Cost is $15 per person. To order tickets, indicate the quantity
on the registration form .
Payment must be received by January 30, 2002. |
|
| 6:00 p.m. |
Cocktail Reception,
CBC
Records and CBC Radio Music present Finjan Klezmer Ensemble. |
| 7:10 p.m. |
Closing Banquet,
Universal
Classics presents violinist Ilya Gringolts .
| Closing
Banquet Grand Door Prize: Grove’s Dictionaries is pleased to present
a one-year, single-user subscription to grovemusic.com, home of the Grove
Music Library on the Web. A subscription to grovmusic.com provides access
to a fully integrated music resource, including the full content of the
acclaimed New Grove Dictionary of Music & Musicians, second edition,
The New Grove Dictionary of Opera and, coming in early 2002, the addition
of The New Grove Dictionary of Jazz, second edition. |
|
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