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Association of Music Personnel in Public Radio 
Spring 2000 


. . . the music ain’t bad
by Karl Haas

Many years ago I gave a recital with commentary in Fort Wayne, Indiana. One of the members of the audience who came up to greet me after the program was a tall man with a windblown face—obviously a man of the soil. As I shook hands with him, he said, “Dr. Haas, I listen to your program every day on my tractor while I’m plowing fields. I don’t always understand what you’re talking about, but I sure do like the way you say it. And the music ain’t bad either.”

I’ve always treasured that meeting because it proved that if audiences weren’t quite getting what I had to say, they weren’t running away either; and I was getting through with the music.

I learned appreciation of great music through my mother, who taught me how to begin to play the piano, and perhaps more importantly, how to listen to music. Although I enjoy doing my own performing and have been playing the piano and conducting for decades, I really get musical kicks in relishing the performance of others, whether it be my good friends Isaac Stern and James Galway, whose careers have been long established, or a younger performer, like my friend Keith Lockhart of the Boston Pops.

Most of all, I love to simply listen to the music, letting it flow over me, absorbing it as one absorbs the sunlight.

I have been fortunate that for more than half a century I have been afforded the opportunity of sharing and communicating my passion, my enthusiasm, and my deep love for good music through the magic of radio.

Music is, after all, primarily an audio experience. I’ve always found that music on tele-vision can be distracting, with the visuals getting in the way of the essence of the music. With radio, you have the choice of focusing entirely on the experience or letting it simply become wallpaper. With many classical music lovers, music as wallpaper is an insult. They want to throw themselves headlong into the pool of melody.

One day I received a letter of complaint from a gentleman in Denver who listens to “Adventures in Good Music” on KVOD while he jogs.  His grievance was that too often when it is time for him to quit jogging, he’s in the middle of a piece of music and has to go around the block again in order to hear the complete piece; and if it’s a particularly long piece, he may have to make two or three complete extra rounds.

Once great music has affected us, it never leaves us. It becomes a passion. A music lover may be able to live without certain foods or drink, but not without fine music. It is this devotion and hunger that makes the classical music radio audience the best radio listeners in the country.

I am proud I’ve had a lifetime of sustaining this passion. After all, the music ain’t bad.

Karl Haas began his daily “Adventures in Good Music” program on WJR in Detroit in 1959. National and international syndication through WCLV/Seaway Productions in Cleveland began in 1970. Haas has won two Peabody Awards; the National Endowment for the Humanities Award; and, in October 1997, he was inducted into the Radio Hall of Fame. He has recorded compact discs which have sold over 45,000 units.