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Music Notes 

Association of Music Personnel in Public Radio 
Summer 2000 


President’s Corner 

Everybody in public radio is talking and worrying these days about the future of our old-fashioned med-ium in the swiftly evolving digital world. How will we attract and keep listeners when they can tune in hundreds of CD-quality satellite radio stations and thousands of stations from around the world on the internet? Certainly many stations will focus on improving, increasing, and more intensely promoting the local aspects of their programming, which makes great sense. But there’s another opportunity here: our listeners’ need for human connection. 
      Public radio listeners tend to be highly educated and to work in highly paid but demanding fields. Higher education and the careers it leads to often mean multiple moves, often to random distant places. Higher income through the earning years gives our listeners the opportunity to move again when they retire. Demanding jobs leave them little time to socialize. Many of our listeners, therefore, live in communities they have only known for a few years, far from family and old friends, and they are simply too busy to develop a circle of acquaintance. In a word, they are lonely.
      Public radio has always been good at providing its listeners with a sense of community, just through its content. We give them a place where they can feel they are sharing values, interests, and humor with like-minded people. Unfortunately, the internet also excels at creating such virtual communities. In fact, in at least one way, the net does it better, because specialty web sites, chat groups, and listservs can bring together people who share even the most obscure interests, regardless of geography.
      In this intensifying competition to be our listeners’ virtual community of choice, public radio does have a resource which, properly developed and managed, can keep us in the game: truly effective on-air personae. I don’t mean just competent professional announcers who use their voices well and can structure a break, though these basic elements are essential. I mean those announcers who have that extra touch on the air which creates the illusion of a unique three-dimensional human being to whom listeners react personally, emotionally. Listeners are drawn to these announcers because they like them or think they are funny or find them entertainingly irritating—because they enjoy their company, one human to another.
      The trouble with developing and managing on-air personae is the elusiveness of the effect. For one thing, there is a huge range of workable styles, from the outrageous to the subtle, from the car guys to Bob Edwards; and it’s going to be different for each on-air voice. For another, it requires a more difficult managerial approach. You can train a mere announcer by timing breaks and ticking off required elements. To coach an announcer in search of his or her on-air persona, you must listen and respond both professionally and emotionally while the host you are working with risks exposing aspects of his or her defenseless real self on the air—real voice, real thoughts, real sense of humor. Then you must accept the difficulty of measuring the result, of quantifying your listeners’ emotional involvement with the station.
      It’s a complex and risky form of radio, both for the individual on air and the station as a whole, but what a potential payoff: fans, as in “fanatic.”


      I wrote the above before learning of the untimely death of WGBH “Morning Pro Musica” host and AMPPR board member, Robert J. Lurtsema. My first thought was to replace this column with a tribute to Robert, but then I realized that what I had written was already about him as much as it was about anybody. Robert’s on-air work was a perfect example of successful “persona” radio, and he was our nation’s most famous (some might say infamous) classical host because of it. Was he perhaps poised, after so many years of faithfully doing what he had always done, to re-emerge on the cutting edge of radio?  If so, we have lost not only a unique voice and a stalwart champion of music, but a steadfast pioneer as well. We’ll miss you, Robert.

Dave Bunker 
President

Copyright 1999, 2000  Association of Music Personnel in Public Radio