In This Issue 

 
 AMPPR News

 
A Bright Idea For Your Program Guide

 
 Conference Exhibitor and Sponsor Opportunities

 
AMPPR
HOME PAGE

 
Music Notes 
is produced and edited in print and for the web by Lisa McCormack. 
Delbridge Text 
& Design
All rights reserved 
 
Music Notes 

Association of Music Personnel in Public Radio 
Summer 2001 


President’s Corner 

There was an exchange recently on the AMPPR listserv which raised once again the seemingly eternal specter of the imminent death of classical music radio. It was suggested in ominous tones that the audience is aging, as though none of the rest of us are, as though, to state baldly the implication of that remark, our current listeners are all going to die soon, and then there will be no one left to listen to Beethoven string quartets.
        I have been hearing these predictions of the death of classical music on the radio since I started working in public radio in the 1980s, and I have seen them quoted from much further back than that. I have never understood them. The one thing that seems clear from all the research is that classical music as a radio format is heavily favored by people in their fifties and above. Well, fine. As people get older, their interests change. They start to take the long view, or become more interested in art forms that address mortality and infinity, or just stop caring what other people think and decide they like it. Whatever the reason, as people cross the half-century mark many of them discover classical music.
        To me this is a sign not of pending calamity, but of fat times coming for classical music radio. The reason? Baby boomers. Most boomers are in their forties now. The oldest of them have recently received that dreaded membership invitation from the AARP. What is going to happen when these people, who are as a group numerous, intense about their passions, and rich, get turned on to classical music? Obviously demand will increase sharply, and some purveyors of the art form will enjoy considerable success.
        Some, but not all. The purveyors, commercial and non, broadcast and retail, who will enjoy the greatest success will be the ones who get the tone right, who package and market this timeless product in a way that lures and grabs and holds the boomer consumer. If we want to raise listener dollars with our classical programming, we need to figure out which qualities of the service we offer appeal most strongly to this demographic, and then maximize those qualities.
        So what qualities of the service we offer do appeal most strongly to this demographic? No doubt a lot of people in a lot of industries are spending a lot of money right now trying to answer that question. My best guesses for classical radio come in paradoxical pairs: high professional quality, but with a casual and unstudied touch; a widely appealing service, which nonetheless makes each listener feel unique and special. Whether my guesses are anywhere near right or not, it is not going to be easy.
        Don’t worry about the death of classical music radio. Think about which music to put on the air and when. Consider what to say about the music you present. Figure out what to call what you do and then get the word out. Do what you can to stay up with the electronic media revolution. The boom is coming, and some of these wells are about to gush. Will yours be one of them?

Dave Bunker
President

Copyright 1999-2001  Association of Music Personnel in Public Radio